小莉莉
别名：遇见莉莉 改编自契诃夫的小说《La Mouette》，讲述年轻的女演员莉莉向一位名叫布里斯的名剧作家拜师学艺的故事。 在莫比汉海湾的小岛;僧侣岛上，有一幢被称为;希望之屋的小房子。在片中，莉莉是个为达目的不顾一切的新派演员。她为某种目的离开了新出道的导演于连，而投入以商业电影成名的布利斯的怀抱。而布利斯则抛弃了忠诚于他的女演员、于连的母亲玛铎。而于连则处于让娜玛丽拼命的追求之中 ;在夏季的一个黄昏，于连、布利斯和玛铎、莉莉等围绕着艺术电影和商业电影之类的话题展开了一场唇枪舌战。其核心是两代人的电影观并掺杂着爱情观的分野和冲突。米勒就是通过这样一个场景，来深挖人与人之间有关爱情和艺术的种种痛苦和折磨。
在线看
同款热播
噪声
李先彬,金玟锡,全益玲,刘庆秀有听力障碍的珠英（李先彬 饰），与妹妹珠憘（韩秀娥 饰）终于买下梦寐以求的新房，却没想到噩梦才正要开始。 某天起，珠憘开始被来自公寓某处的神秘噪音折磨得身心俱疲。那让人不耐的楼层噪音，不仅让她无法安睡，更像是潜藏某种黑暗秘密的警告。正当珠英离家工作时，珠憘突然失踪，让惊慌失措的珠英立刻赶回家，并与珠憘的男友基勋（金珉锡 饰）联手追查真相。同时，住在楼下的神秘男子（柳炅秀 饰）也长期受噪音困扰，认定一切都源于楼上的这对姊妹，让他情绪逐渐崩溃，扬言要对她们痛下杀手…… 真相究竟藏在谁的耳中？噪音背后，又是谁的疯狂正在近逼？
爱情抓马
罗伯特·帕丁森,赞达亚,马莫多·阿西,阿拉娜·哈伊姆,海利·盖茨,佐伊·温特斯,迈克尔·阿伯特,西德妮·莱蒙,亚亚·戈塞林,佩顿·杰克逊,乔丁·库雷特,马修·J·麦克劳克林,蒂埃雷·迪亚斯,克里斯托弗·C·詹姆斯,肖恩·福格蒂,蔡斯·布雷索夫,格瑞·科恩,艾可·坎贝尔,卡拉·科尔南·约瑟夫,马克斯·德德里安,凯西·麦克尼尔婚礼前几天，一对情侣无意中发现彼此的秘密，亲密关系面临考验，令结婚计划骤然生变。暗黑秘密如何一发不可收拾？各种反应又引致怎样翻天覆地的后果？原定又浪漫又幸福的结婚计划，还可以进行吗？
比佛利拜金狗
派珀·佩拉博,马诺洛·卡多纳,杰米·李·柯蒂斯,何塞·马利亚·亚兹皮克,莫瑞·史特林,杰苏斯·欧乔阿,德鲁·巴里摩尔,安迪·加西亚,乔治·洛佩兹克洛伊（德鲁·巴里摩尔 Drew Barrymore 配音）是比佛利山的一只吉娃娃狗，被宠坏了的它生活极其奢侈。主人薇薇姑妈（杰米·李·柯蒂斯 Jamie Lee Curtis 饰）要出远门，把照顾克洛伊的任务交给了安吉拉（爱莉·希尔斯 Ali Hillis 饰）。安吉拉带着克洛伊和朋友们一起去墨西哥的海滩旅行。来到海滩， 姑娘们立即被健硕英俊的小伙子们吸引了，而克洛伊则在安吉拉的“重色轻狗”下，走失于硕大的墨西哥城中。那些简陋的街道看起来跟比佛利山大相径庭。无奈之下，克洛伊只得求助于一些新朋友，包括一只经历复杂的德国牧羊犬戴戈多（安迪·加西亚 Andy Garcia 饰），和一只多情的小狗帕皮（乔治·洛佩兹 George Lopez 饰），克洛伊在它们的帮助下，振作精神找寻回家的路......
等待方舟
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
烟花1995
山崎裕太,奥菜惠,反田孝幸,兰迪·黑文斯,小桥贤儿,樱木研仁,麻木久仁子,光石研,小山励基,山崎一,深浦加奈子,田口智朗,石井苗子,酒井敏也,蛭子能收,中岛阳子小学生典道（山崎裕太）与佑价（反田孝幸）等同伴们就烟花升腾而起时是扁是圆展开争论，无果后，众人困惑起来，为了将困惑解决，他们决定趁夏季花火大会的机会去燃放烟花的灯塔上一探究竟。典道和佑价同时暗恋的同学，早熟的少女奈砂（奥菜惠）因为父母离异怀起心事。一场在典道和佑价之间进行的五十米游泳比赛结束后，奈砂单约胜利者佑价陪她去看烟花，不想对方最终决定同大伙一起去灯塔。奈砂最终拉上比赛失败的典道上路，目的地却变成了火车站甚至更远的东京。
妖星哥拉斯
池部良,白川由美,久保明,水野久美,平田昭彦不明妖星哥拉斯在茫茫宇宙中不断前进，沿途吸附大量的星际飞行物，不断的变庞大，日本的观测宇宙船隼号，为了探明其质量大小，不幸被一起吸附，但是其在最后关头向地球发出了其质量数据，使地球上的人对其有了个初步认识，后经科学家计算测定，其质量为地球的６１００倍，而且将在４５天后与地球相撞。 为阻止地球与哥拉斯的相撞，科学家想出了一个大胆的办法，就是运用水素离子装置在南极造一个喷射基地（类似与火箭发射器），让地球动起来，在哥拉斯到来之前，使地球移动到其他轨道．等哥拉斯安全通过后，然后在北极在建个基地，使地球在回到原来的预定轨道。 计划实施的非常顺利，全世界各国在国联的带领下在南极建立了基地，但是由于在南极建造基地，在火焰发生器的作用下让长眠在南极的海象怪兽苏醒了，并破坏了一部份基地，后来，在飞机导弹的攻击下，怪兽死了，但由于怪兽的破坏，火箭发生器推迟了时间，到底地球能不能脱离哥拉斯的吞噬呢？